Wheras traditionally Front Row has used established text to present or adapt, this was a departure from our normal routine. Inspired by the most famous prisoner from Malmöhus Castle this was a play written specifically for Front Row Theatre. It was important to preserve the historical record while at the same time creating relatable characters and cohesive plot. In Bothwell, Prisoner of Malmö, we feel as though we achieved that, and seeing our words take physical form was a treat!
THE PLOT
1569. A cell in Malmöhus. Its occupant is James Hepburn, 4th Earl of Bothwell. With the aid of Ylva, the jailer's daughter, Bothwell tells the story of his life, his love of Scotland and of Mary Queen of Scots. It is a tale of power, intrigue and avarice
Front Row Theatreis proud to present new writing and a world premier run this August!
Due to the loss of his source reading material, Charles Dickens takes the opportunity to dramatize his classic tale, A Christmas Carol. Dickens enacts the inspiring story of Ebenezer Scrooge's redemption with warmth and humour.
Front Row Theatre is proud to present its version of the timeless classic A Christmas Carol, in its original language. Our very own Fraser James MacLeod will be playing Dickens himself in which he plays every character imaginable: the tight-fisted misery that is Ebenezer Scrooge; the glorious Ghosts of the past, present and future; and of course, Bob Cratchit and Tiny Tim.
It is the perfect tale to be told on those dark winter nights just before Christmas. This story will enchant and delight people of all ages, as it has done for the last 178 years. Heart-warming, funny, thrilling, and not to be missed!
On Stage:
Dickens et al. - Fraser James MacLeod
Back Stage:
Adaptation - Mark Base, Fraser James MacLeod
Direction - Emma A. Gould
Technicians - Rasmus Wessman, Mark Base
Stage Management - Jared Middle Calf
To win the Trojan War and to appease the gods of Olympus King Agamemnon sacrifices his first-born daughter: Iphigenia. Iphigenia at Olympus tells us the story of what happens to Iphigenia after she is sacrificed and called to Mount Olympus. She enters Deus’ palace and is convinced to trust him to go through three tests to become a goddess herself.
Iphigenia at Olympus also tells us the story of a loss of innocence. Iphigenia embodies us, humanity, and our willingness to trust men in power; always hoping and believing that they have the best in mind for us. Iphigenia will lead you through some of the darkest sides of humanity: deceit, revenge, anger, corruption, megalomania, sexual abuse and finally: murder.
Iphigenia at Olympus is a fast-paced tragedy confronting us with our own gullibility, our desire for power and the corruption that comes with gaining this.
Charles Dickens' 1867 Swedish Reading Tour is off to a rough start. Due to an inexplicable loss of his luggage, he regretfully announces that he will be unable to read from his beloved classic, A Christmas Carol. All is not lost however; Dickens delivers what he promised by performing from memory the magical story of Ebenezer Scrooge's journey from miserliness to redemption with warmth and humour. This one-man play is based on the condensed version Dickens himself used on his historic reading tours of the United States.
On Stage:
Dickens et al. - Fraser James MacLeod
Back Stage:
Direction - Emma A. Gould
Cinematography - Diego Monsiváis
Stage Management - Stephen Holmes
Front Row Theatre, exists to produce high end performance art, in English, for both public and educational environments. We like to bring talented people together to create great theatre!
We understand the importance of a dynamic and visually intriguing performance. Use of the full depth and breadth of an acting area is central to our visual philosophy, creating visceral experience to compliment dialogue in second language settings.
Not afraid to challenge some of society’s norms, our plays have been characterised by reflections on status within the complex realms of class, gender and age. Power dynamics are often underlying themes in our work.
Cornerstones of our success are the beliefs that theatre should be accessible to everyone and a demand for high standards.
GALLERY ARCHIVE
Recent outings have seen Fraser act in a new and exciting interpretation of Jekyll & Hyde, the one-man A Christmas Carol by Charles Dickens, the original play Bothwell, written by himself, Iphigenia at Olympus by Ajius, and a role in Lasse Hallström's biopic Hilma. He has directed Anton Chekhov's The Boor, Ira Levin's Deathtrap and Anthony Shaffer's Sleuth, as well as making star turns in The Pavilion by Craig Wright and Eric Bogosian's Suburbia, directed by Kasper Sejersen.
Fraser developed an interest in theatre early on in life, studying the theories of the art both at school and university as well as throwing himself into the emotionally challenging world of acting itself.
However, it wasn’t really until a reflective period post-thirty that Fraser truly started to develop himself as an all-round practitioner. A more relaxed attitude to acting, coupled with a little more life-experience, helped unlock more expressive and polished performances.
Rubbing shoulders with highly educated and experienced actors and directors began to have a lot of positive influence on Fraser and also helped him identify his own style. Fraser has since built Front Row Theatre, played leading roles on stage, experienced treading the boards at the Malmö Opera and increased his in front of camera portfolio both artistically and commercially. He is also a fully trained drama pedagogue and he has built experience as an acting coach.
Fraser James MacLeod
And we're also extremely pleased to have cooperated with:
Front Row Theatre is very grateful for all the assistance from:
Credits:
Icon made by Freepik from www.flaticon.com
Photos: Elin Kurtsdotter, Tomas Lissåker (Smallfield Photo), Tolikus Productions, Fleur Brouwer, Paula Brante, Jared Middle Calf
Images: Pixabay, wikipeadia
Copyright @ All Rights Reserved, Fraser MacLeod, 2019-2024
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